Cytgard

Estate of Baryon Duris

27 min read

The estate of Baryon Duris and his wife, Apasia Rodina

Approaching the Estate

The Lycon Woods have swallowed up the road that once led to the tower. Now only a wide dirt trail remains.

You come to a cold mountain lake enclosed by misty woods and rocky bluffs. Thick fog creeps across the dark, still waters. The trail ends at a grass-covered causeway that stretches a hundred yards across the lake to a flat, marshy island with a stone tower on it. The tower is old and decrepit, repaired in a variety of different ways over the centuries. Timeworn griffon statues, their wings and flanks covered with moss, perch atop buttresses that support the walls.

Parked near the base of the tower, within sight of the entrance, is a barrel-topped wagon spattered with mud.

The tower stands 80 feet tall, and was once probably made of white marble or… Actual ivory. It has four levels (each 20 feet high) and a mostly intact slate tile roof. The second, third, and fourth floors have oval arrow slits that are 6 inches wide, 3 feet tall, and 1 foot thick. The tower’s uppermost level overhangs the levels below it and has window boxes in addition to arrow slits. Examining it, the tower looks kind of melted and organic, as though it were originally grown like a tree, and then patched with masonry over the years. Some of the windows/arrow slits look uncomfortably like eye sockets.

The mossy griffons atop the buttresses look like a more recent addition, and nothing more than decorative statues. However, with a high perception check, they can see the Griffons seem to have turned their heads to look at them (gargoyle stat block)

The Estate Grounds

At the heart of the estate stands the tower, surrounded by a lush, naturalized garden filled with life-size statues of mythical creatures (complete with a small plaque detailing its strengths and weaknesses)

A crumbling, somewhat overgrown, and ill maintained walkways surround the perimeter of the tower, and bridges cross over what was once a geometric moat (and is now partially filled and overgrown). Every few stones along the walkway is carved with a glyph (and it seems to form some kind of abjurative ward).

The statues include:

Pouka Pond Pouka are a kind of amphibious skyfish with scintillating scales and 4 eyes. They are peaceful and friendly, and enjoy the company of terrestrial creatures. When they fly, they make gently chime like noises which are quite calming and conducive to meditation. There are also small frogs and water fish which live in the pond.

Entrance Statues: The entrance stairs to the tower is flanked by two large stone statues carved or… grown from mossy, yellowed ivory.

  • One looks like a skeletal, emaciated humanoid with square, broad shoulders. It wears a very severe looking robe/cape with rectangular nodules along the front and back. Its head wears a half-helm with two straight, rectangular horns pointing skyward, and no eye slots. The mandible is exposed bone. It wields a rectangular sceptre with a floating rectangular gem at its tip.

    • To Tira who researched the topic, this looks like a Lich in its base state.
    • With a high History or Religion check, this looks like Osteos, Sculptor of Bones (AKA the Architect). A cruel and aloof lich who trapped living beings in prisons grown out from their own bones. Osteos was known for creating great ivory and stone structures - some buildings and some seemingly purposeless but beautifully unsettling. They disappeared around 200 years ago.
      • Osteos also had a signature spell or possibly just an ability: Mass Osteolyze - which caused the bones of foes to crumble and melt on the spot.

  • The other is a mage wearing very similar, but less ostentacious robes, holding a book in one hand and a large stone dodecahedronic object in the other with organic growths protruded from the top (A… phyllactery). The object is very organic looking, kind of like a cross section of bone marrow.

Outbuildings

The Outbuildings: There are several smaller buildings on the estate, including:

  • A greenhouse filled with exotic plants used as spell or thaumaturgic components. Each are labelled and carefully cultivated.
  • A stables for Baryon’s delivery beast: a large, blue flying Hob about the size of a dog and the shape of a griffon.
  • A laboratory where his apprentices can experiment with magic and thaumaturgy.
  • Storage building: filled with extra components, weapons, crafting materials, as well as some dry foods (which can be used to prepare rations)
  • Guest bunks: a very simple building with several bunks in it.

The Tower

The tower has an antimagic field over the entire main building which prevents spells and spell like abilities from being cast within its walls. However, it does not suppress enchantments.

The foyer contains 4 of what look like ivory statues, slightly larger than life. The statues shift to look vaguely like the first 4 poeple to enter the room. They have an uncanny ‘family resemblence’ if examined. These are Clay Golems, and function as servants and can carry a palanquin up the spiral stairs on the intside of the tower.

Library

As you step into the lower levels of the wizard’s tower, you find yourself in a dimly lit library with thin, organic looking windows. The air is thick with the scent of old books and herbs. The walls are lined with bookshelves stretching up to the 30 foot high ceiling, with ladders and stepping stools placed at regular intervals for easy access. The shelves are filled with books and scrolls of all shapes and sizes, with titles written in a variety of languages, many of which you’ve never seen before.

In the center of the room, a large wooden table is covered with open books and loose parchment, with quills and inkwells scattered haphazardly around it. Potted plants are placed on every available surface, some of them blooming with strange and exotic flowers. The plants seem to thrive in the dim light, as if nourished by the ancient magic of the library.

As you browse the shelves, you come across a few tomes of particular interest:

  • The Encyclopedia of Elements: A thick, hardcover book with a deep blue cover adorned with golden letters. The pages of the book are filled with detailed descriptions of the elements of fire, water, earth, and air, as well as the other magical elements, and the ways in which they can be manipulated through magic. The book is said to contain some of the most powerful elemental spells ever devised.

    • Indeed, the book contains at the rear, a description of a powerful elemental spell called “Prismatic Wrath”, which seems to be a modified version of another spell, “Prismatic Spray” (http://dnd5e.wikidot.com/spell:prismatic-spray), which allows the user to focus their will (roll a D4 for either the first or second 4 effects of prismatic spray)
    • The user must spend a week studying the spell to understand it, and another week transcribing it (900 GP worth of spell ink and pages). It cannot be used as a scroll.

  • The Codex of the Fey: A delicate book with a cover made of green silk and gold thread. The pages are filled with beautiful illustrations of ethereal creatures, such as nymphs, dryads, and faeries. The book contains detailed descriptions of the ways in which magic can be used to interact with the fey, and the dangers and benefits that come with such interactions.

  • The Book of Vile Darkness: A large, leather-bound tome with pages made from a dark, velvety material. The book seems to emit a faint, pulsating aura of dark magic, and the pages are filled with intricate diagrams and arcane symbols. This book is said to contain the secrets of black magic (magic considered repulsive and evil by pretty much everyone, and banned under no uncertain circumstances in ALL civilized locales in Acidalia), including spells for curses, hexes, and other dark incantations. Legend has it, this book contains the secrets to becoming a type of Lich.

    • Upon further inspection, the cover is convincing but the contents are not. This is obviously just an ironic joke cover. The book itself contains explanations on how to reverse certain fiendish curses and afflictions, as well as despel magic which animates the undead.

Displayed Items As you continue to explore the library, you come across several preserved specimens

  • A preserved dragon’s egg: This large, speckled egg is said to have been laid by a silver dragon long ago. It’s a rare and valuable artifact, and many scholars believe that it holds powerful magic within. It’s probably not fertilized though.
  • A preserved basilisk eye: This small, glass jar contains a single, golden eye from a basilisk. The eye seems to glitter in the dim light, and many believe that it can be used to create powerful potions and spells. There is a spigot on the side of the glass jar, which seems to imply the glittering liquid is used for something.
  • A preserved unicorn horn: This long, spiraling horn is said to have been taken from a unicorn that died of natural causes. It’s a rare and valuable ingredient in many potions and spells, and many believe that it holds powerful healing properties. The wide end has clearly been filed down, and some powder can be seen on the bottom of the stand.

Lounge Area

The room is dimly lit, with soft, flickering torchlight casting a warm glow across the marble (or ivory…?) walls and pillars. The architecture of the room is reminiscent of some of the stuff in Cheval City, with tall, arched doorways and intricate carvings adorning the walls. However, there is just something slightly strange and organic about it towards the roof. The pillars spread out like the canopy of trees at the top, and fuse like roots to the floor. This room has larger windows (it seems like they’ve been carved out to let more light in), and plants grow along the ceilings and pillars.

The lounge is furnished with comfortable, plush chairs and couches, each one upholstered in soft fabrics of deep reds, purples, and golds. Large, potted plants are scattered throughout the room, their green leaves providing a natural contrast to the white marble. You notice that some of the plants seem to have a faint, magical aura surrounding them.

The centerpiece of the room is a large, marble fire pit, with magical flame motes that float and bob within its borders. A soft, crackling sound fills the air, providing a relaxing background noise. Above the fire pit hangs an ornate, gilded mirror, reflecting the warm light and making the room feel even cozier.

As you settle into one of the chairs, you can’t help but notice the quiet serenity of the room. It feels like a sanctuary, a place to escape the outside world and find peace in the soft light and comforting surroundings. You find yourself breathing deeply, inhaling the scent of the plants and feeling the warmth of the fire on your skin.

Guest Quarters

The tower has a variety of strange guest quarters scattered throughout. Several seem to be repurposed rooms whose original purpose is not obvious (lab? storage? prison?).

There are enough rooms to house the party individually or together, along with the 3 Markitovs. The rooms have thin windows that are more like arrow slits. Curtains have been hung to allow them to be closed. A wall of force blocks them.

Baryon’s Quarters

Baryon’s quarters are at the top of the tower. He occupies the whole level with his sleeping chamber, mini library, and a small lab. He also stores his persional equipment there.

History of the tower

This information may be divulged by Baryon, or one may be directed to look for a written account in the library.

Once occupied by an archwizard named Khazan, who studied the augmentation of creatures (including accelerated healing, growth, speed, cognition boosts, etc). Khazan retired to this valley and built a tower for himself on a small island on Lake Baratok. With the help of some engineers and laborers, he also built an earth-and-gravel causeway connecting the island with the nearby shore.

In his waning years, Khazan visited the Amber Temple, whose location is unknown (chapter 13) and supposedly discovered the secret to becoming a lich there. He returned to his tower and was able to complete the transformation. After that, the lich spent most of his time in search of magical knowledge, trying to master the secret of demilichdom in the hope of finding a way to magically project his spirit into the Solar Pantheon for reasons unknown. His efforts included raiding public and private libraries across the Ring (even beyond Acidalia), and ossifying those who resisted. Where he travelled, he would create He became a known as Osteos, the Sculptor of Bones due to his particularly nasty attack magic. He was a tricky lich, and nobody was able to claim to have slain him. Eventually, his raiding of libraries stopped, some 200 years ago. The little strongholds and towers he created across the world were left abandoned. This tower was one of them.

Khazan’s tower stood empty for ages, it seemed, and would have collapsed under the weight of neglect were it not for the magic wards placed on it long ago.

Approaching the Tower

The Svalich Woods have swallowed up the road that once led to the tower. Now only a wide dirt trail remains.

You come to a cold mountain lake enclosed by misty woods and rocky bluffs. Thick fog creeps across the dark, still waters. The trail ends at a grass-covered causeway that stretches a hundred yards across the lake to a flat, marshy island with a stone tower on it. The tower is old and decrepit, with collapsing scaffolds clinging to one side where a large gash has split the wall. Timeworn griffon statues, their wings and flanks covered with moss, perch atop buttresses that support the walls.

Parked near the base of the tower, within sight of the entrance, is a barrel-topped wagon spattered with mud.

The tower stands 80 feet tall. It has four levels (each 20 feet high) and a mostly intact slate tile roof. The second, third, and fourth floors have arrow slits that are 6 inches wide, 3 feet tall, and 1 foot thick. The tower’s uppermost level overhangs the levels below it and has window boxes in addition to arrow slits.

The mossy griffons atop the buttresses are nothing more than decorative statues.

Khazan’s Spell Drain

Khazan warded his tower so that he alone could cast spells near or within it. The effect is identical to an antimagic field centered on the tower and extending 5 feet from it in all directions. The effect doesn’t apply to magic traps and constructs created by Khazan, including the trap on the tower door in area V2, the golems in areas V4, and the animated suit of armor in area V7.

Areas of the Tower

The following areas correspond to labels on the map of Van Richten’s Tower below.

V1. Ezmerelda’s Magic Wagon

Ezmerelda’s wagon is parked in front of the tower. If the characters investigate the wagon, read:

[–]

Under layers of mud, this wagon sports a fresh coat of purple paint, and its wheels have fancy gold trim. A brass lantern hangs from each corner, and red drapes cover a tombstone-shaped window on each side. A steel padlock secures the back door, hanging from which is a cheap wooden sign that reads, “Keep out!”

The wagon radiates an aura of conjuration magic if it is scrutinized with a detect magic spell. A character who casts an identify spell on the wagon learns the command words needed to operate it.

Map 11.1: Van Richten's Tower (Area V)

 Map 11.1: Van Richten’s Tower (Area V)

Player Version

Player Version

Anyone who sits in the driver’s seat and speaks its command word (“Drovash”) summons a pair of quasi-real draft horses, which are magically tethered to the wagon and can’t be separated from it. The horses and wagon have a speed of 30 feet, and the horses heed the driver’s simple commands. The driver can dismiss the horses with a second command word (“Arvesh”). The horses can be dispelled (DC 15) but not harmed.

The wagon has a hidden trapdoor in its underbelly that can be detected by a character who scuttles under the wagon and succeeds on a DC 13 Wisdom (Perception) check. The trapdoor opens into the wagon and is the only safe way inside.

Booby Trapp168[–]

The inside handle of the door has a wire looped around it, and the wire is connected to a flask of alchemist’s fire hanging from the wagon’s ceiling. When the door is opened, the flask falls and explodes, igniting one hundred more flasks of alchemist’s fire that dangle from wires like ornaments along the wagon’s interior walls. A creature within 30 feet of the wagon when it explodes must succeed on a DC 12 Constitution saving throw, taking 55 (10d10) fire damage on a failed save, or half as much damage on a successful one. Creatures inside the wagon or within 5 feet of it have disadvantage on the saving throw. The wagon is reduced to flinders by the explosion, and the contents of the wagon (see “Treasure” below) are destroyed as well.

A character inside the wagon spots the trap automatically (no ability check required) and can disable it with a successful DC 10 Dexterity check. A failed attempt to disable the trap triggers it.

Treasurep168[–]

The interior of the wagon contains the following items:

V2. Tower Doorp169[–]

[–]

The tower door is made of iron, with no visible handles or hinges. In the middle of the door is a large, embossed symbol—a connected series of lines with eight stick figures set around it. Carved into the lintel above the door is a word: Khazan.

Show the players the door symbol to the right. The door is magically locked and trapped, and the symbol on the door is the key to disabling the trap. Magic that would normally unlock the door is neutralized by the tower’s spell drain effect (see “Khazan’s Spell Drain” earlier in the chapter).

A creature that touches the door without first disabling the trap causes lightning to envelop the tower. Any creature outside the tower and within 10 feet of it must succeed on a DC 15 Dexterity saving throw, with disadvantage if it is wearing armor made of metal, taking 22 (4d10) lightning damage on a failed save, or half damage on a successful one. As long as the effect persists, any creature that enters the lightning for the first time on a turn or starts its turn there takes 22 (4d10) lightning damage. The lightning lasts for 10 minutes.

The third time this trap is triggered, the magic fails and causes the tower to collapse. Each creature inside the tower when it collapses takes 132 (24d10) bludgeoning damage, while those within 20 feet of the tower must succeed on a DC 15 Dexterity saving throw or take 44 (8d10) bludgeoning damage from falling debris. The collapse not only destroys the tower but also most of its contents, including the animated armor in area V7. The wooden chest in area V7 (as well as the severed head inside it) remains intact but requires 1d8 + 2 hours of digging through rubble to find. The clay golems in area V4 are undamaged but buried under piles of debris. Every hour the characters spend searching through the rubble, they have a 10 percent chance of accidentally unearthing a berserk clay golem.

Opening the Door

Each stick figure embossed on the door has differently positioned arms—either bent up or down at the elbow, or sticking straight out to the side. When a creature standing within 5 feet of the door uses an action to imitate the arm positions of all eight stick figures in the proper sequence, the trap is disabled and the door swings open on rusty hinges for 10 minutes. The lines of the symbol on the door reveal the proper sequence. The dance can be performed in one of two ways; a creature must trace the path of the lines, starting at either endpoint. All eight sets of arm positions must be performed, with no repeats, for the sequence to be complete.

If the arm positions are done out of order, a young blue dragon magically appears within 30 feet of the door and attacks all creatures it can see. The characters can keep trying to open the door while the dragon is attacking them. The dragon disappears if it is reduced to 0 hit points or if the characters open the door.

Vestibule

Beyond the door is a 5-foot-square vestibule with a tattered curtain that conceals area V4 beyond. The iron door leading outside can be safely opened from this side. It magically closes after 1 minute unless held open.

V3. Rickety Scaffoldingp170[–]

[–]

Rotting wooden beams support the scaffolding, which groans and creaks with the slightest breeze. A series of ladders and platforms lead to a hole in the northwest wall on the third floor.

The scaffolding can’t support more than 200 pounds of weight. If it collapses, anyone standing on it falls 20 feet to the ground, taking 1d6 bludgeoning damage per 10 feet fallen plus an additional 2d6 piercing damage from the debris. A creature underneath the scaffolding must succeed on a DC 13 Dexterity saving throw or take 14 (4d6) bludgeoning damage from falling debris.

V4. Tower, First Floorp170[–]

[–]

The flagstone floor is strewn with debris, and a few old crates stand near the east wall. A torn curtain to the south partially obscures the tower vestibule.

A five-foot-square indentation in the center of the floor contains four pulleys attached to taut iron chains that stretch up through a similarly sized hole in the rotted wooden ceiling. Standing next to the chains are four tall clay statues.

The four statues are clay golems that defend themselves if attacked. Otherwise, their sole purpose is to operate the elevator, which they do by pulling on the chains. The chains attach to a 5-foot-square wooden platform that normally rests on the fourth floor.

If it appears that a creature wants to use the elevator, the golems lower the platform, then raise it to whichever level the creature specifies. They also heed commands issued from above. They obey only commands having to do with raising and lowering the elevator.

The elevator isn’t a smooth ride. The platform rises or lowers 5 feet per round, and its movements are jerky. If even one clay golem is destroyed, the remaining golems can no longer operate the elevator and remain motionless until attacked.

The crates in this room are all empty.

V5. Tower, Second Floorp170[–]

[–]

Dust and cobwebs fill this otherwise empty room, the wooden floor of which is badly rotted and partially collapsed.

In the middle of the room is a 5-foot-square hole in the floor and ceiling, with a rusty chain near each corner. The chains are part of the tower’s elevator mechanism (see area V4). The 5-foot-square sections of floor that surround the central shaft are weak. Each 5-foot section can support 150 pounds; any more weight causes the section to collapse, and any creatures standing on that section fall 20 feet to the ground floor.

V6. Tower, Third Floorp171[–]

[–]

Time and the elements have all but destroyed this chamber, leaving a gash in the northwest wall and slimy black mildew on the walls. The wooden floor is completely rotted and has begun to fall away in places.

In the middle of the room is a 5-foot-square hole in the floor and ceiling, with a rusty chain near each corner. The chains are part of the tower’s elevator mechanism (see area V4). The 5-foot-square sections of floor that surround the central shaft are weak. Each 5-foot section can support 50 pounds; any more weight causes the section to collapse, and any creatures standing on that section fall 40 feet to the ground floor, smashing through the second floor on the way down.

V7. Tower, Fourth Floorp171[–]

[–]

Unlike the levels below, this room shows signs of recent habitation, and although the place reeks of mold and mildew, it has plenty of creature comforts, including a cozy bed, a desk with matching chair, bright tapestries, and a large iron stove with plenty of wood to feed it. Light enters through arrow slits as well as through dirt-caked windows with broken shutters. Other features of the room include a standing suit of armor and a wooden chest. Old wooden rafters bend under the weight of the tower roof, which has somehow remained intact. Mounted to the rafters are pulleys around which hang iron chains that support the tower’s elevator platform.

Van Richten spent several months in this room, reviewing a lifetime’s worth of research on Strahd von Zarovich—notes that, once he committed them to memory, he burned in the stove. He also burned his journals. Ezmerelda searched the room, hoping to find a clue to her mentor’s plan or whereabouts. Among the things she found here was a rolled-up map of Barovia and a burned page from van Richten’s journal, which she took and hid in her wagon (area V1).

The standing armor is a suit of animated armor. It is incapacitated until someone speaks the command word (“Khazan”) within 10 feet of it, whereupon the armor follows the commands of the one who activated it. If 24 hours pass without its receiving a new instruction from its controller, the animated armor becomes incapacitated until someone reactivates it. If it is reduced to 0 hit points, the armor falls to pieces and is destroyed.

A lavender aroma emanates from the wooden chest, which is unlocked and safe to open. It contains the severed head of a human Vistana named Yan. Its flesh has a waxy complexion and has been embalmed with magic oils. If a speak with dead spell is cast on his head (which would need to be taken somewhere away from the tower’s spell drain effect), Yan reveals that he was banished from his clan for stealing. A half-elf bard named Rictavio offered Yan a ride in his carnival wagon. The two traveled together for several days, but their time together was tense. When it was clear that Rictavio was looking for a road to Barovia, Yan tried to steal the wagon as well as Rictavio’s pet monkey, but Rictavio got the better of him and drove a sword through his gullet.

The magic oils preserving Yan’s head allow it to remember conversations it has while under the effect of speak with dead. Rictavio has cast speak with dead on the head twice to ask questions about the Vistani of Barovia. Yan believes that the half-elf plans to cause great harm to the Vistani and begs the characters to warn his people. He doesn’t know where his body is.

Fortunes of Ravenloftp171[–]

If your card reading reveals that a treasure is here, it’s in a narrow compartment hidden in the wall behind the suit of armor. If the armor is activated and commanded to retrieve the treasure, it pulls the stones out of the wall, revealing the treasure beyond.

If the characters have collapsed the tower (see area V2), they find the treasure after 1d8 + 2 hours of searching through the rubble. For each hour they spend searching, they have a 10 percent chance of accidentally unearthing a clay golem (see area V4) that withstood the collapse. The golem, which took no damage from the collapsing tower, is berserk and attacks until destroyed.

Special Eventsp171[–]

You can use one or both of the following special events while the characters are exploring Van Richten’s Tower.

Pack Attackp171[–]

If the characters blew up Ezmerelda’s wagon, activated the lightning sheath around the tower, or caused the tower to collapse, the sound of their handiwork echoes through the valley as far west as Krezk and as far east as Vallaki. The disturbance attracts the attention of a pack of werewolves, which arrives after 1 hour.

The werewolves haunt the Svalich Woods west of Van Richten’s Tower. They come running in wolf form, hoping to trap prey on the island by cutting off access to the causeway.

Leading the hunt is Kiril Stoyanovich, a werewolf with 90 hit points. Accompanying him are six normal werewolves and nine wolves. While in wolf form, the werewolves are indistinguishable from ordinary wolves. They either remain in wolf form or assume hybrid form.

If the characters were drawn into Barovia by the “Werewolves in the Mist” adventure hook, this encounter represents a climactic confrontation between the characters and the werewolf pack that has been terrorizing settlements in the Forgotten Realms. The werewolves know that the tower has magical defenses, so they are cautious. Kiril tries to lure the characters outside for a final showdown, but pulls his pack into the woods if the characters start lobbing spells or making ranged attacks from the tower.

Developmentp172[–]

A captured werewolf can be forced to divulge the whereabouts of the children kidnapped by the pack. They are being held in a cave to the west (see chapter 15, “Werewolf Den”).

Ezmerelda’s Retreatp172[–]

Ezmerelda d’Avenir (see appendix D) returns to Van Richten’s Tower after confronting Strahd in Castle Ravenloft and barely escaping with her life. She arrives on the back of a riding horse stolen from the Vistani camp outside Vallaki (chapter 5, area N9).

Ezmerelda hopes that the arsenal of weapons in her wagon will be enough to protect her from the vampire’s wrath. If the characters blew up the wagon, she is understandably annoyed and retreats to the tower. (She knows the trick to bypassing the trap on the tower door.) If the tower has also been destroyed, she doesn’t stick around unless the characters are clearly her best hope of survival.

Ezmerelda’s altercation with Strahd has left her with only 30 hit points. She graciously accepts any healing the characters have to offer.

Developmentp172[–]

From this moment on, Strahd gains a new goal: kill Ezmerelda d’Avenir. Knowing that his Vistani spies might be conflicted at the thought of slaying one of their own, Strahd relies on the druids and the werewolves of the Svalich Woods, as well as human spies and vampire spawn hidden in Barovia’s settlements, to help him find and kill Ezmerelda. If Strahd learns that she and the characters are working together, he invites the characters to Ravenloft, expecting that Ezmerelda will accompany them. The characters receive their invitation in the form of a letter delivered by one of Strahd’s spies. If the characters open and read the letter, show the players the “Strahd’s Invitation” handout in appendix F. If the characters head toward the castle, they have no threatening random encounters on the way.

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